Tame Impala

The glory that is Sasquatch

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Currently thousands of good-time hungry people are assembling for the weekend that is Sasquatch, and I could not be any more bummed about it. For the first time in 5 years, I, sadly, am not among them.

It’s pretty difficult for me to write those words (especially because for the first time since I’ve been going, my boy Ty Segall will be there, sludging out with Fuzz), but work and financial obligations have left it impossible for me to join in on the fun this year. And by fun I mean MOST FUN THING THAT WILL HAPPEN IN 2015.

An exaggeration, you may think to yourself? Hardly. In fact, over the course of the last five phenomenally awesome Squatches, I’ve only found myself not having fun once, and that was because Mayer Hawthorne was on the stage, inappropriately acting like the most important guy in the world. And ya know, come to think of it, I was still definitely having a good time at that moment, despite his bro-iness. Because Sasquatch is a non-stop zone of euphoria. It’s nearly impossible to lose the smile from your face while you’re Gorge-side, from the second you join the miles-long car line into camping til the “it’s too damn bright outside!” morning you drag yourself out of George, WA, five days later.

And this year’s gonna be better than ever. With everyone from St. Vincent to Schoolboy Q to Robert flippin’ Plant showing up, fans are gonna get washed over with beautiful music from every genre out there. So why not savor what I’m missing out on by creating the playlist to end all playlists?!

Behold, samplings from every band I know I’d be jamming/freaking out to this weekend. It’s by far the longest musicboots playlist ever compiled, but that’s extremely fitting, considering the festival (and its enormous offering of delicious music) it’s based on.

Dig in.

Don’t worry: Music still means everything

I’m sure y’all have been extremely worried about the state of music, seeing as how I haven’t been updating you much lately, but never fear: music is still everything. I’ve just been super busy learning the ins and outs of website development, and it’s eating up almost every minute of my spare time. Of course, every other minute belongs to whiskey, and while I’ve wanted to share some of those whiskey-soaked ramblings via the blog, something in my subconscious said no. So my apologies for not publishing any blogs at all these past few weeks.

In hopes of making it up, here’s a rundown of all that’s mattering to me musically right now…

First off, there’s a ton of good albums that were recently dropped, and the three I haven’t been able to stop listening to are Will Butler’s Policy, Courtney Barnett’s official debut Sometimes I Sit and Think, and Sometimes I Just Sit, and Strangers to Ourselves, the awesome latest from Modest Mouse.

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Butler’s was a decent surprise, especially since I’ve always assumed his brother Win, whom Will shares the stage with in Arcade Fire, was the more talented of the two. Little did I know Will collaborated with Owen Pallett on the Oscar-nominated score for Her last year, nor that he was cool enough to record the exceptional Policy in just one week at Jimi Hendrix’s Electric Lady Studios. Sure, it’s a short album, with just 8 tracks, but there’s plenty of deliciousness packed in there – consider it 27 minutes of smart and playful ventures into indie alt rock and dancing jazz.

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As for Barnett, I can’t stress enough how badly you need to check out this chick’s vivacious music, which veers effortlessly from bouncy to solemn, all the while backed by her monotonous yet powerful vocals. She’s an outstanding songwriter, to boot, and when you’re not busy dancing around the kitchen to her mostly upbeat music you’re probably left standing there trying to wrap your brain around all the brilliance she spews with her lyrics.

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Then there’s Modest Mouse’s newest masterpiece, an album that declares they still give zero fucks about what the rest of music is doing – they’re here to make what they think you should be listening to. Strangers to Ourselves has some rad Man Man-esque moments, not to mention impressive elaboration of the style they founded when they were born 20+ years ago. It seems every one of their albums does a mashup of sounds found on all previous recordings as well as an exploration of new sounds piquing their interest these days. It’s definitely an appropriately rockin’ release.

Another band with new music, but no set release date for their record, is the eternally cool Ratatat, the electronic dance duo near and dear to my heart. They floored me with their set at my second Sasquatch!, and I’m pretty sure I’ve listened to 2010’s LP4 a thousand times since. It seems ridiculous they haven’t released a proper full-length in five years, but word is they’re currently recording their next, and it’s of course tentatively titled LP5. They gave a taste of what’s to come during their set at last weekend’s Coachella, with “Cream on Chrome”, and it’s funky and tropical and heavy in all the right places. I love it to pieces. And cannot wait for this next record.



With that I’d like to thank Coachella, cuz while I’d never in a million years travel to Indio and rub shoulders with hipsters and rich kids, I really appreciate their willingness to stream sets from the festival. It was terrific to see Tame Impala’s set via the stream, because I’ve loved them for a long time, yet have never gotten a chance to see them live. If you know me, you’ve probably heard me complain at least 5 or 6 times about that year I was supposed to see them at Sasquatch! but they couldn’t make it due to baggage issues at London’s Heathrow Airport. Well, their set at Coachella looked and sounded fabulous, even though they didn’t play my favorite, “Half Full Glass of Wine”. Instead they crushed “Elephant”, which included an outrageously short but super rad drum solo, and encouraged the crowd to check out fellow Aussies AC/DC by playing a sweet riff from “Thunderstruck” and declaring “I’ve been waiting my whole fucking life to see AC/DC”. Adorable. Now I’ve gotta get to watching the stream from what I’ve heard was a badass performance from Azealia Banks, as well as that for Run the Jewels, because Run the Jewels.

And to wrap up, a bit of bad news: work responsibilities are likely gonna leave me unable to go to Sasquatch! this year. Now, while I’m overwhelmingly devastated about this, I’ve at least got a good bunch of friends that will be attending and can relay all the crazy awesomeness the 2015 Sasquatch! provided. So stay tuned next month for a breakdown on all the bands performing this year, and reasons why it’s gonna be jaw-dropping. I’m so very bummed I won’t be there for it, but *sigh* there’s always next year~

10/12/14 Playlist



Someone suggested I do a “last letter game” type of playlist today, and as I put it together I realized it could be the perfect way to honor UK music I’ve loved in the last 15 years. Sure, Australia’s Tame Impala and Canada’s Born Ruffians squeezed their way in, but their sounds fit nicely with the Brits, so that’s fine by me.

There’s also a lot of great dance music in there, which honors what The 2 Bears are doing, as well as some of my definite favorite bands of any genre, like The Heavy and The Kills. Somebody really needs to get word to both of those groups that a new album is imperative. Stat.